This amp has proven to be especially popular with “worship” styles of music, given its ability to blend in to a mix very well.Īt first, I was put off by the lack of footswitching, but one hidden “feature” I discovered was to input both the Normal and the Top-Boost using a stereo output pedal (I used a Boss Delay), and the result was a very complex sound, sort of like a Voodoo Lab Sparkle Drive. It’s not a metal sound, but it suitable for a wide range of styles. The Top Boost sound is primarily the “lead” channel and easily products sounds ranging from classic rock to blues to more modern rock. With both the PRS and the Nash, the clean sounds were full and rich, very “Voxish,” especially with the Nash Tele. This is also a very “pedal-friendly” channel and handled any overdrive or distortion pedals I threw at it. Personally, I think the tremolo sounds the best on this channel. The normal channel is capable of shimmering sparkle and to sounds just on the verge of break-up. To cut to the chase, my concerns were unfounded. As I said earlier, I have to admit that I was a bit skeptical about the AC15 before I even tried it because I knew that this series of amps was made in China, which helps explain their relatively low cost. I tested the AC15 Custom with a PRS DGT and a Nash T-52 Telecaster. An optional Vox VFS2 footswitch allows you to control the reverb and tremolo functions. The AC15 may be run with an external cabinet with the internal speaker either muted or enabled, depending upon your preference. The amp is powered by 3 12AX7 preamp tubes and 2 EL84 power amp tubes. The speaker is a 1×12″ 16 ohm Celestion G12M Greenback. In addition, there are controls for reverb level, tremolo depth and speed, and master volume and tone cut. There are inputs for both Normal and Top Boost. Each channel has its own volume control, and the Top-Boost channel sports controls for treble and bass. The Vox AC15 Custom is a 15W two channel amp featuring Normal and Top-Boost channels. Everyone from the Edge to Brian May has used Vox amps as the basis of their sound, so when I saw that Vox was offering a new amp called the AC15 Custom which offered classic Vox tones at a street price of around $600, well, let’s just say I was at once intrigued and skeptical. The Vox “chime” has been an often imitated clean sound for many years and, as has the midrange-heavy overdrive. The characteristic Vox chime and classic overdrive are both in the Vox AC15 Custom in abundance, though the Top-Boost channel offers a wide range of overdriven sounds that can suit a variety of situations.Īlong with Marshall and Fender, Vox is one of the “big 3” as far as classic guitar amplifier sounds are concerned.
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